Lloyd Nolan I Dont Know About You Lyrics
Blues in the Nighttime | |
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![]() Theatrical release poster | |
Directed by | Anatole Litvak |
Screenplay by | Robert Rossen |
Based on | the play Hot Nocturne by Edwin Gilbert Elia Kazan (uncredited) |
Produced by | Hal B. Wallis |
Starring | Priscilla Lane Betty Field Richard Whorf Lloyd Nolan Jack Carson |
Cinematography | Ernest Haller |
Edited past | Owen Marks |
Music by | Heinz Roemheld |
Distributed by | Warner Bros. |
Release date |
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Running time | 88 minutes |
Country | United States |
Language | English |
Blues in the Night is a 1941 American musical in the pic noir style[1] directed by Anatole Litvak and starring Priscilla Lane, Richard Whorf, Betty Field, Lloyd Nolan, Elia Kazan, and Jack Carson. It was released past Warner Brothers. The projection began filming with the working title Hot Nocturne, the play upon which information technology is based, just was eventually named afterward its primary musical number "Blues in the Dark", which became a popular striking. The motion-picture show was nominated for a Best Song Oscar for "Blues in the Night" (Music by Harold Arlen; lyrics by Johnny Mercer).[two]
Plot [edit]
While playing in a bar in St. Louis, jazz pianist Jigger Pine meets aspiring clarinetist Nickie Haroyen, who tries to convince him to put together a jazz band. After a drunk patron starts a fight, Nickie and Jigger, along with Jigger's drummer and bassist, are thrown in jail. They overhear a prisoner singing a dejection song and are inspired to set out for New Orleans, where they hope to learn how to perfect an authentic bluesy sound. There they meet fast-talking trumpeter Leo and his married woman, Character, who is a talented singer. Together, the quintet rides the track, honing their technique in dive confined beyond the country.
One day, while sheltering in a boxcar they run into a mysterious stranger named Del, who robs them. Just when they don't turn him in to the authorities, Del is so impressed past their esprit, he offers them a chore in a New Bailiwick of jersey roadhouse called The Jungle. The group discovers that the roadhouse is actually endemic past Del'southward former partners in criminal offense - aspiring vocaliser Kay, accomplice Sam, and her crippled sidekick Brad. Del has escaped from jail to retrieve his share of a robbery the iii committed; when Kay tells him they have spent all the money, he decides to take over The Jungle and transform it into an illegal gambling club. Kay tries to rekindle her by romance with Del, merely he rejects her. She turns her attention to Leo in hopes of making Del jealous.
Although the ring is happy playing their brand of jazz each night at the order, Grapheme is worried about Leo and Kay. When Jigger reveals to him that Character is significant, Leo decides to surrender Kay. She subsequently sets her sights on Jigger, who is secretly in honey with her and insists the band accept her on as singer while Grapheme is taking time off. Jigger reacts to Brad's warning that the musician should get her out of his arrangement by saying, "I simply don't think I can". Sam tries to get Kay to alert the police force to Del'due south whereabouts. She tells Del about this, hoping that the fact that she refused to practice it will win her Del'southward affection; instead, he orders Sam to be killed and Kay to leave The Jungle. She convinces Jigger to quit the ring, go with her to New York City, and join a more than commercial, mainstream jazz band.
Although successful, Jigger is unhappy in his new life, feeling he is non playing authentic jazz. Kay lives on her own terms in New York, she goes out with dissimilar men and is not interested in Jigger'due south career with the band. 1 night, he tells her he has quit and wants to go back to his friends. He wants her to get with him but she tells him the only affair she would always want from The Jungle is Del, that she has never been in honey with Jigger.
After Kay leaves him, Jigger descends into alcoholism. His friends notice him and endeavour to coax him into playing with them over again. He tells them he is busy composing and has many big plans simply, as he tries to demonstrate some of his music, he collapses with a mental breakdown. Everybody sticks by him, helping to nurse him dorsum to health, though they are hiding the fact that Character'south baby has died. They all render to The Jungle where Jigger plays once again and rediscovers happiness.
One night, during a rainstorm, both Jigger and Del notice Kay's return. Jigger speaks with her kickoff. When Del comes in, Kay confronts him and demands he let her to stay; he refuses so she threatens to turn him in herself. Del pulls a gun and Jigger comes to her defence. During the ensuing fight, Del drops the gun; Kay picks it upwardly, shoots and kills him. Jigger decides to protect Kay and assistance her escape from the law; he tells her to go wait for him in Del's car. The band shows up; every bit they angrily set on Jigger with reasons to not go out with Kay, they reveal that Grapheme lost the baby. They compare Jigger, his emotional and mental issues, with Brad being a cripple. They try to emphasize that, while Brad has no choice nigh his pathetic circumstances, Jigger certainly does. Brad overhears all this and joins Kay in the machine, claiming that Jigger has asked him to bulldoze her away. He takes off into the tearing tempest, talking about the two of them being together, and deliberately wrecks the motorcar, killing them both.
Jigger and the band return to their life on the road, happy to be again playing their preferred version of jazz.
Cast [edit]
- Richard Whorf every bit Jigger Pine, a talented jazz pianist
- Priscilla Lane as Ginger "Character" Powell, the band's singer
- Lloyd Nolan as Del Davis, a gangster and racketeer
- Betty Field as Kay Grant, Del'southward scheming sometime girlfriend
- Jack Carson as Leo Powell, Character's loud-mouthed, complacent hubby who plays trumpet for the band
- Elia Kazan as Nickie Haroyen, the ring'due south clarinetist who gave upwards constabulary school for music
- Wallace Ford as Brad Ames, a crippled former guitar actor who is hopelessly in love with Kay
- Howard Da Silva as Sam Paryas, an opportunistic member of Del's gang
- Peter Whitney equally Pete Bossett, the band'southward bassist
- Billy Halop as Peppi, the band'southward young drummer
- George Lloyd every bit Joe, the St. Louis buffet possessor
- Charles C. Wilson equally Barney
- William Gillespie equally baritone singer in jail cell
- Matt McHugh as the Drunkard
- Ernest Whitman every bit Black Prisoner #1
- Napoleon Simpson equally Black Prisoner #2
- Dudley Dickerson every bit Blackness Prisoner #iii
- Anthony Warde as Del'southward Henchman #ane
- Sol Gorss every bit Del'due south Henchman #2
- Mabel Todd as performer
Production [edit]
The film began when Elia Kazan optioned an unproduced play by Edwin Gilbert called Hot Nocturne and began retooling it for Broadway. He somewhen sold the rights to Warner Bros. who gave the script to Robert Rossen to consummate. After initially retitling it New Orleans Blues, the studio named it after its principal musical number "Dejection in the Night", which afterwards became a popular hit. Kazan agreed to surrender his screenwriting credit and appeared as a clarinetist in the picture. He later remarked that after acting in the film he became convinced he could "direct meliorate than Anatole Litzvak".[3] James Cagney and Dennis Morgan were the studio's first two choices to play the gangster Del Davis, just the part was eventually given to Lloyd Nolan. John Garfield was cast in the role of pianist Jigger Pine who was eventually played by Richard Whorf.[4]
Music [edit]
The film's music is by Harold Arlen with lyrics past Johnny Mercer. Additional music was written past Heinz Roemheld and Ray Heindorf (but Roemheld was credited). The picture features the bands of Jimmie Lunceford and Will Osborne. With the exception of Priscilla Lane none of the actors were musicians and so their playing had to exist dubbed by other artists. The trumpet music performed by Jack Carson's character was dubbed by Snooky Young and Frankie Zinzer while the pianoforte music was dubbed by Stan Wrightsman.[2] [five] Saxophonist and clarinetist Archie Rosate played Elia Kazan'due south clarinet solos.
- "Blues in the Night" (William Gillespie)
- "This Fourth dimension the Dream'southward On Me" (Priscilla Lane)
- "Hang on to Your Lids, Kids" (Priscilla Lane)
- "Says Who, Says You, Says I" (Mabel Todd)[6]
- "Wait Till It Happens to Yous" (Betty Field) (dubbed by Trudy Erwin)
Reception [edit]
Blues in the Night was met with a mixed critical reception upon its release. Hollywood columnist Fred Othman named it "the worst musical of the twelvemonth".[7] Donald Kirkley of The Baltimore Sun called information technology "a bizarre...screen oddity"[8] while Los Angeles Times film critic Philip K. Scheuer praised Richard Whorf's performance.[9] It was not financially successful as its East Declension release took identify before long before the attack on Pearl Harbor.
The film has since achieved a small cult following, including The Simpsons creator Matt Groening.[ten] [eleven] [12]
The film is recognized by American Film Found in these lists:
- 2004: AFI's 100 Years...100 Songs:
- "Blues in the Nighttime" – Nominated[13]
References [edit]
- ^ Chinen Biesen, Sheri (2014). Music in the Shadows: Noir Musical Films. Wisconsin: Johns Hopkins Academy Press. p. 173. ISBN978-1421408385.
- ^ a b Gabbard, Krin (1996). Jammin' at the margins: jazz and the American cinema. Academy of Chicago Press. pp. 111–12. ISBN0-226-27789-v.
- ^ Kazan, Elia (2010). Kazan on Directing. Random House. pp. 15–16. ISBN978-0-307-27704-6.
- ^ The American Film Institute catalog of movement pictures produced in the The states. Vol. ane. Academy of California Printing. 1971. p. 267. ISBN0-520-21521-four.
- ^ Kael, Pauline (1991). 5001 nights at the movies. Macmillan. p. 88. ISBN0-8050-1367-9.
- ^ Hemming, Roy (1999). The Melody Lingers on: The Swell Songwriters and Their Movie Musicals. Newmarket Press. p. 10. ISBNane-55704-380-nine.
- ^ Frederick C. Othman (Dec 26, 1941). "Movie Critic Invites Dirk in Back as He Selects Ten Worst Film Plays for 1941". St. Petersburg Times . Retrieved March 3, 2011.
- ^ Donald Kirkley (December 22, 1941). "Blues In Dark". The Baltimore Sun. p. 8.
- ^ Philip K. Scheuer (Nov xiv, 1941). "'Dejection in the Nighttime' Tuneful Melodrama". Los Angeles Times. p. 17.
- ^ Bubbeo, Daniel (2002). The women of Warner Brothers. McFarland. p. 136. ISBN0-7864-1137-half dozen.
- ^ Kevin McDonough (November 1, 2007). "Celebs get to pick the films". The York Dispatch.
- ^ Robert Osborne, Matt Groening (November 14, 2007). Turner Classic Movies Guest Host Night - Blues in the Night (Television set production). Turner Archetype Movies.
- ^ "AFI's 100 Years...100 Songs Nominees" (PDF) . Retrieved 2016-07-30 .
External links [edit]
- Blues in the Night at IMDb
- Blues in the Night at AllMovie
- Blues in the Night at the TCM Movie Database
- Blues in the Night film trailer on YouTube
Source: https://en.wikipedia.org/wiki/Blues_in_the_Night_%28film%29
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